Escape Collective

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Archive for the month “February, 2012”

How To Drive Yourself Crazy, Part Two: EDITING

Welcome back, to the second installment in this irregular series.  ‘Irregular’ because I don’t know when the next will one will be, and ‘series’ because I’m always learning new ways to drive myself crazy.  This time, it’s a real “how to” style!

i made this collage myself

A typical editor's work-space

First, decide to work on an anthology.  Work on at least five – but no more than ten – pieces at a time.  After all, if you were working with just one author, it would be far too simple.  No, in order to crank up the insanity, you have to do a lot of stories – at the same time.

Next, make sure that the people doing the copy-editing aren’t looking over each others shoulders.  That way, as editor (or co-editor), you have to catch any differing opinions and weirdness that might crop up.  It’s much better to work in a vacuum, if your goal is mind-numbing anxiety in the final hour.

Combine the various documents into a ‘master document’, without setting any filters first.  Don’t worry about italics and strange formatting yet.  After all, there will be plenty of time in the last week of work to redo everything.

It’s important at this stage to neglect your basic needs.  Forgetting to eat proper meals will instill a hunger for success.  Not getting enough sleep insures that you’ll be in an emotionally sensitive space; perfect for making snap decisions.  And don’t forget how maddening it will be to clean up the mess of your so-called social life.

If you can, make sure to delete a few key email messages from your authors.  Clear, easy lines of communication often get in the way of stark, raving lunacy.  A few missed pieces of information will guarantee special, surprise errors in the final version.

Now, before you get the finalized version kicked out the door, you’ll have to make review copies.  Distribute these to whoever is supposed to have them, but whatever you do, don’t harass them for critical feedback.  In order for the full force of slavering madness to take effect, key pieces of final review will have to be avoided.  Not by you, of course – you’ll still need to stay up late, every night, worrying over the formatting and obvious typos.

Bloody flags?

Almost done!  A critical piece of your own, personal crazy-pants-puzzle that is often overlooked is very technical, but easy to take care of.  Simply update your software, right in the middle of your final work cycle.  You don’t have to go all-out and change operating systems (save that for later in your career, when you really need to go bat-shit-insane), but it’s never that difficult to upgrade whatever program you’re using to put the book together.  Just imagine the giant leaps backwards in your progress!  All of your checklists and milestones will have to be completely redone.  It’ll be like working on a brand new project.

If you’ve put the wrong foot forward and made careful missteps the whole way, you’ll be in the best position possible to screw up the last few, tiny details.  Your immune system will be working overtime, as you fight sleep-deprivation and hunger to get the completed book across the finish line.  You will have alienated your friends, co-workers and support network (and probably your children) with your erratic behavior, to the point where they don’t care if you work yourself to death anymore.  Eye strain and a nervous tic will transform you into a hideous caricature of your former, vigorous self.  And those last few, itty bitty, teensy-weensy errors will just *POP* into place – just like magic.

They will manifest as an author name being spelled wrong, or a uploading the wrong version to the distributor’s website.  You might cut & paste the wrong section of the book description, or substitute your personal email address for the company one.  My favorite was the time I tried to upload a book using my personal Amazon log-in, rather than the one for publisher.  Sure, these aren’t big, terrible, life-changing problems, but in terms of making yourself crazy, they pack a lot of firepower.

Remember, everybody makes mistakes, but they don’t let it drive them insane.  If you want your mistakes to keep you awake at night – or just wipe the smile off your face – you’re going to have to work twice as hard.  Being an editor is a difficult job, all by itself, but there’s no reason why you can’t make it even worse.  By following these easy instructions, you’ll be well on your way to screaming incoherently at strangers in the parking lot in no time.

 

Patrick Jennings-Mapp is a co-founder of and an editor for Escape Collective Publishing.  When he’s not lying awake at night, wondering if he changed those straight-quotes back into smart-quotes, you can find him wandering the aisles of the grocery store, looking for bear-bacon and elbow grease.

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Broken Hearts, Big Ideas

Ooh! So very, very pretty!

With Valentine’s Day looming over the horizon, I thought I’d give my two cents on the subject.  In short, I sort of hate Valentine’s Day.  It’s not because of the usual reasons, I guess.  I have a wonderful wife, whom I adore.  Despite my best attempts to be otherwise, I am a hopeless romantic.  I even enjoy the occasional
indulgence of whimsical love notes and cards.  I don’t even really mind the commercial aspect of it, although I flat-out reject the idea that I should spend any money just because it’s Valentine’s Day.  It’s the ‘Day’ part that I loathe.  

It’s already difficult to be a hopeful, positive person in this world.  I don’t want to be negative and cynical all the time.  For one thing, it’s just too easy.  For another, it’s a bad thing to imprint on my friends and family.  It is far too easy to hate on Valentine’s Day, just because it is a cynical, consumerist, superficial thing.  It’s a bit harder to look at why we should reject it and model good ways to interact with and about “love.”  

It’s the age of ‘Jersey Shore’, ‘The Kardashians’ and the 12-hour news cycle.  My friends and I joke about kids right out of high school getting into “starter marriages” because – damn it – that’s what they are.  Real commitment is difficult to hold on to.  Real, mature and lasting relationships require communication and (sometimes) hard work.  Flowers, cards, chocolate and diamond rings have all the depth of a dixie cup and it reflects the facile, imitation-flavor of love that you can buy on your way home from work.  

I’ve had my heart broken and as much as I’d like to forget it, I’ve broken some too.  Valentine’s Day seems like a warped reflection of all that pain and misery.  Yes, there are plenty of people who enjoy it.  And who am I to say that their experience is in any way not valid?  I say, if you want to wear rose-colored glasses for a day and spend a ton of money on your sweetie, that’s fine.  That’s your business.  I object to the ‘Day’ part of it, more than anything.  

It’s funny.  I started this as a way to segue into a plug for our new book, Orbital Hearts.  It is out right now, on Amazon (for the low price of $3.99!).  It’s an anthology of ten stories, by an international coterie of authors.  And it’s all about ‘doomed romance’ and ‘star-crossed lovers’ – ya know, good stuff.  It’s not,
strictly speaking, an anti-Valentine’s Day book, but it speaks to a lot of what I’m trying to get at here.  In fact, the contributors to Orbital Hearts manage to stay within the bounds of the theme, while being more eloquent and genuinely romantic than I could hope to be.

Love – in the classic, ‘eternal love’ sort of sense – is a fleeting and ephemeral thing.  It’s here and then, sometimes, it’s gone.  Our hearts rule over us, make us do things we would never otherwise choose.  This is nothing to triffle with, nothing to take lightly, or dismiss, or cheapen with a ‘Day.’  In my experience, love – true love – is something to respect, maybe even stand in fear or awe of.  Do you love someone?  Then do something about it.  But don’t let some sales pitch dictate when and how.

Patrick Jennings-Mapp is a co-founder of and an editor for Escape Collective Publishing.  When he’s not working, he enjoys long walks on the beach, listening to Coltrane, and surrealist art.

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